EMP Project Releases Best of EMP Project — A Remastered Collection of Modern Jazz Trio Recordings5/3/2026 Blue Canoe Records proudly announces the release of Best of EMP Project, a newly remastered compilation album from the Southern-based jazz trio EMP Project, available worldwide on May 1, 2026.
Bringing together a powerful blend of modern jazz, fusion, groove, and improvisational interplay, Best of EMP Project revisits standout recordings originally captured between 2002 and 2005. These selections, drawn from the group’s debut EMP Project and sophomore release Wherever We Go, have been carefully remastered to introduce the trio’s music to a new generation of listeners. At the core of EMP Project is a deeply rooted musical connection between three longtime collaborators:
The trio’s origins trace back to their time studying at the University of Tennessee, Knoxville (1989–1994), where they developed a shared musical language under the guidance of renowned educators including Jerry Coker, Donald Brown, Rusty Holloway, Keith Brown, Mark Boling and others. After years pursuing individual careers across the country, the musicians reunited—capturing lightning in a bottle during a series of live studio recordings in Atlanta, Georgia. Recorded on August 6–7, 2002, with no rehearsals, the sessions document the trio’s raw chemistry, spontaneity, and collective musical intuition. Each member contributed original compositions, resulting in a truly collaborative artistic statement. Track highlights include: Warrior, Wherever We Go, Elise, Just Visiting, Ba Dump, Birdy, Quickly and Quietly, Night, and Synergy. The original recordings were produced by EMP Project alongside Vic Stafford and Anita Walls, who also handled mixing and mastering. For this release, the material has been newly remastered by Joseph Patrick Moore at Abstract Truth Recording Studio (Henderson, NV), offering enhanced clarity while preserving the organic energy of the original performances. Artist Quote “This music captures a moment before life pulled us in different directions—three musicians reconnecting with no expectations, just trust and instinct. Remastering these recordings gave me the chance to hear that honesty again, and I’m excited to share it with listeners who may be discovering EMP Project for the first time.” — Joseph Patrick Moore About the Release Best of EMP Project serves as both a retrospective and a reintroduction—highlighting a trio whose musical roots run deep, and whose sound remains timeless, exploratory, and deeply connected. Availability Best of EMP Project is available on all major streaming platforms beginning May 1, 2026. 🔗 More info: Blue Canoe Records 🔗 Streaming: https://orcd.co/60y0e5b Joseph collaborates with Singer-Songwriter Taylor Stevens on two singles: * "Ruin Me" * "If Only You Would Let Me" Mountain Sam Wheelock and Joseph Patrick Moore Interview about “Forgive Me Mother (Single)”4/25/2024
Singer-Songwriter Mountain Sam Wheelock and Bassist/Producer Joseph Patrick Moore talk about their Co-Write titled, "Forgive Me Mother”. Upon their discussion, they venture into many creative and life topics.
Bob Bakert of Jazz Guitar Today talks to Dan Baraszu and JPM about their version of the Metallica classic, "Seek & Destroy". 🎸 VISIT ▶︎ https://jazzguitartoday.com
🎸 SUBSCRIBE for FREE ▶︎ https://bit.ly/Subscribe2JAZZ 🎸 SUBSCRIBE to YOUTUBE ▶︎ https://fave.co/2Q6Xueo 🎸 FOLLOW on FACEBOOK ▶︎ https://www.facebook.com/jazzguitartoday 🎸 FOLLOW on INSTAGRAM ▶︎ https://www.instagram.com/jazzguitart... 🎸 FOLLOW on TWITTER ▶︎ https://twitter.com/jazzguitartoday New Single Release Guitar phenom Dan Baraszu and bassist Joseph Patrick Moore team up to record the Metallica classic "Seek & Destroy" from their 1983 debut album titled, "Kill 'Em All". This jazz duo interprets this song in a fashion unimagined nearly 40 years ago by writers James Hetfield and Lars Ulrich. Jazz is about moving music forward and Dan and Joseph's rendition of this classic heavy rock tune, performed in a jazz setting, demonstrates this unique dynamic duo by pushing the boundaries of what jazz is in 2022. Joseph recently arranged/produced/recorded/mixed The Beatles classic “Ob‐La‐Di, Ob‐La‐Da” for Honda Japan. The commercial and new vehicle were launched yesterday in Japan. The track features: Buzz Amato (keys), Mundo Juillerat (guitar), Scott Meeder (drums) with Trammell Starks engineering, JPM (bass), Tom Noguchi (assistant producer), and Orono from Superorganism on vocals.
Joseph appears (as well as many) in the new book by author Jerry Grillo titled, The Music and Mythocracy of Col. Bruce Hampton: A Basically True Biography. JPM has several quotes and stories shared within the pages of the amazing work by Jerry Grillo from Joseph's four years touring with Col. Bruce Hampton & The Fiji Mariners. You can purchase this book on Amazon. SYNOPSIS
Col. Bruce Hampton was a charismatic musical figure who launched and continued to influence the jam band genre over his fifty-plus years performing. Part bandleader, soul singer, storyteller, conjuror, poet, preacher, comedian, philosopher, and trickster, Col. Bruce actively sought out and dealt in the weird, wild underbelly of the American South. The Music and Mythocracy of Col. Bruce Hampton is neither a true biography in the Boswellian sense nor a work of cultural studies, although it combines elements of both. Even as biographer Jerry Grillo has investigated and pursued the facts, this life history of Col. Bruce reads like a novel―one full of amazing tales of a musical life lived on and off the road. Grillo’s interviews with Hampton and his bandmates, family, friends, and fans paint a fascinating portrait of an artist who fostered some of the best music ever played in America. Grillo aims not so much to document and demystify the self-mythologizing performer as to explain why his fans and friends loved him so dearly. Hampton’s family history, his place in Atlanta and southeastern musical history, his significant friendships and musical relationships, and the controversies over personnel in his Hampton Grease Band over the years are all discussed. What emerges is a portrait of a P. T. Barnum of the musical world, but one who included his audience and invited them through the tent door to share his inside joke, with plenty of joy to go around. |
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